Saturday, October 1, 2011

The Fountain (Widescreen Edition)

  • Yesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death.Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life.and to an adventure into eternity. Darren Aronofsky (Pi,
Set in ancient Egypt under Roman rule, AGORA follows the brilliant and beautiful astronomer Hypatia (Weisz) who leads a group of disciples fighting to save the wisdom of the Ancient World, as violent religious upheaval spills into the streets of Alexandria. Among these disciples are two men competing for her heart: the witty, privileged Orestes (Isaac) and Davus (Minghella), Hypatia’s young slave, who is torn between his secret love for her and the freedom he knows can be his if he chooses to join ! the unstoppable surge of the Christians.Alternating between cosmic splendor and human squalor, Agora is a movie of unusual ambition. In the last days of the Roman Empire, the Egyptian city of Alexandria is torn between the aristocratic pagan society and the emerging, rough-and-tumble Christians. As this broad cultural conflict teeters violently back and forth, the scientist-philosopher Hypatia (Rachel Weisz, The Brothers Bloom, The Fountain) struggles to resolve the motion of the planets with her belief in celestial perfection. Tangled in her life are three men: a Roman prefect (Oscar Isaac, Body of Lies), a Christian bishop (Rupert Evans, Hellboy), and a slave (Max Minghella, The Social Network) who turns to Christianity to escape his unrequited love for Hypatia. Some viewers will be uncomfortable with Agora's depiction of early Christianity and others will quibble about the movie's historical accuracy, but the movie's theme! s--of faith vs. zealotry, of religion vs. the spirituality of ! science- -and its vivid depiction of one culture being brutally supplanted by another demonstrate a scope seldom found in contemporary film. Writer-director Alejandro Amenábar previously made popular ghost story The Others, mind-bender Open Your Eyes, and heartbreaker The Sea Inside; clearly, this is a career to watch. Don't overlook the deleted scenes--the gorgeous original opening shot accentuates the twin pulls of science and spirituality. --Bret FetzerA young woman believed to be a simpleton or worse a witch enrages the townsfolk when she falls in love with the mysterious survivor of a shipwreck. Studio: Sony Pictures Home Ent Release Date: 12/21/2004 Starring: Vincent Perez Kathy Bates Run time: 114 minutes Rating: Pg13 Director: Beeban KidronBased on the Joseph Conrad story "Amy Foster," this swirlingly romantic melodrama tells the story of a Polish sailor (Vincent Perez) shipwrecked and washed ashore on the English coast in the 19th century. ! Found by a servant girl, Amy (Rachel Weisz), who is a village outcast, he is considered retarded because no one can understand what he says. But slowly, through Amy's love and the doctor's tutelage, the sailor learns enough English to decide he wants to make an honest woman out of Amy. Which doesn't sit well with the disapproving villagers, who don't like Amy. Even the doctor, who has a fondness for the sailor, has a blind spot when it comes to the servant girl. Strong performances and gritty period settings lift this film above bodice-ripper status to something richer. --Marshall FineTwo girls thrown together by their boyfriends violence accidentally kill one of them. Studio: Uni Dist Corp. (mca) Release Date: 12/28/2004 Starring: Iain Glen Alex Norton Run time: 89 minutes Rating: RPetula (Rachel Weisz) meets Dorothy (Susan Lynch) when Dorothy smacks a lead pipe into the head of Petula's boyfriend, who was strangling Petula at the time. Thus begins the darkly c! omic thriller Beautiful Creatures--a little bit Thel! ma & Lou ise, a little bit Alfred Hitchcock at his most sardonic. When Petula's boyfriend dies, she and Dorothy cook up a scheme to extort money out of the boyfriend's rich and vicious older brother--a scheme that would probably have fallen to pieces until an investigating police detective named George starts to help it along for devious reasons of his own. Soon Dorothy and Petula are coping with a bitten-off finger, Dorothy's own nasty boyfriend, a salesclerk with a bondage fetish, and more. Fans of movies with a similarly deadpan tone (like Bound, Fargo, and Pulp Fiction) will love the film's caustic humor, and both Weisz and Lynch are delightful. Fast-paced and unpredictable, Beautiful Creatures is a witty thriller that deserves attention. --Bret Fetzer CONSTANT GARDENER - DVD MovieThe Constant Gardener is the kind of thriller that hasn't been seen since the 1970s: Smart, politically complex, cinematically adventurous, genuinely thrill! ing and even heartbreaking. Mild diplomat Justin Quayle (Ralph Fiennes, The English Patient, Schindler's List) has a loose cannon of a wife named Tessa (Rachel Weisz, The Shape of Things, The Mummy), who's digging into the dirty doings of a major pharmaceutical company in Kenya. Her brutal murder forces Justin to continue her investigation down some deadly avenues. This simple plot description doesn't capture the rich texture and slippery, sinuous movement of The Constant Gardener, superbly directed by Fernando Meirelles (Oscar-nominated for his first film, City of God). Shifting back and forth in time, the movie skillfully captures the engaging romance between Justin and Tessa (Fiennes shows considerably more chemistry with Weisz than he had with Jennifer Lopez in Maid in Manhattan) and builds a vivid, gripping, and all-too-justified paranoia. And on top of it all, the movie is beautiful, due to both its incredible shots of ! the African landscape (which at times is haunting and unearthl! y) and t he gorgeous cinematography. Featuring an all-around excellent cast, including Bill Nighy (Love Actually), Pete Postlethwaite (In the Name of the Father), and Danny Huston (Silver City). --Bret FetzerYesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death. Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life...and to an adventure into eternity. Darren Aronofsky (Pi, Requiem for a Dream) directs, continuing his string of imaginative, involving filmmaking with a tale alive with ideas and filled with astonishing vistas. "Not many films can blow your mind and break your heart at the same time, but this one will" (Drew McWeeny, Ain't It Cool News).Science fiction and romance collide in The Fountain, the ambitious thi! rd feature from director Darren Aronofsky (Pi, Requiem for a Dream), who labored for four years to complete this epic-sized love story that stretches across centuries and galaxies. Hugh Jackman and Rachel Weisz (Aronofsky's real-life companion) play lovers in each of the film's three settings--16th century Europe and America (Jackman is a Spanish explorer searching for Incan magic), the present day (Jackman is a doctor attempting to cure his dying wife), and the 26th century (Jackman is a space traveler seeking a gateway to the afterlife)-â€"who struggle mightily to stay united, only to lose each other time and again. Aronofsky may not have chosen the easiest presentation for audiences to absorb his theories on the lasting qualities of life and the transformative powers of death-â€"the final sequence, in particular, with a bald Jackman floating through space in a bubble, harks back uncomfortably to "head movies" of the late '60s-â€"but his leads have considerable che! mistry (and look terrific to boot), which goes a long way towa! rds secu ring viewers' hopes for a happy ending. Critical reception for The Fountain has been nothing short of bloodthirsty, with Cannes audiences booing, but there are elements to enjoy here, even if the premise throws one for a loop. Ellen Burstyn (who earned an Oscar nomination for Requiem) delivers a typically solid performance as Jackman's boss in the present day sequence, and special effects (most done without the benefit of CGI) are also impressive given the film's low budget (spurred by a mid-production shutdown after original stars Brad Pitt and Cate Blanchett ankled the picture). And science-fiction fans whose tastes run towards the metaphysical (Asimov, Le Guin) will appreciate the attempt to present the genre in a serious light. --Paul Gaita

Friday, September 30, 2011

The Education of Language Minority Immigrants in the United States (Bilingual Education and Bilingualism)

  • ISBN13: 9781847692108
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"Competence can be a curse." So begins Min Jin Lee's epic novel about class, society, and identity. Casey Han's four years at Princeton have given her many things: "a refined diction, an enviable golf handicap, a popular white boyfriend, an agnostic's closeted passion for reading the Bible, and a magna cum laude degree in economics. But no job and a number of bad habits."
Casey's parents, who live in Queens, are Korean immigrants working in a dry cleaner, desperately trying to hold onto their culture and identity. Their daughter, on the other hand, has entered into the upper echelon of rarified American society via scholarships. But after graduatio! n, Casey's trust-fund friends see only opportunity and choices while Casey sees the reality of having expensive habits without the means to sustain them. As Casey navigates Manhattan, we see her life and the lives of those around her: her sheltered mother, scarred father, her friend Ella who's always been the good Korean girl, Ella's ambitious Korean husband and his Caucasian mistress, Casey's white fiancé, and then her Korean boyfriend, all culminating in a portrait of New York City and its world of haves and have-nots.
FREE FOOD FOR MILLIONAIRES offers up a fresh exploration of the complex layers we inhabit both in society and within ourselves. Inspired by 19th century novels such as Vanity Fair and Middlemarch, Min Jin Lee examines maintaining identity within changing communities. This is a remarkably assured debut from a writer to watch.Free Food for Millionaires, the debut novel from Min Jin Lee, takes on daunting themes of love, money, rac! e, and belief systems in this mostly satisfying tale. Casey H! an is a Princeton grad, class of '93, and it is her conflicts, relationships, and temperament that inform the novel. She is the child of immigrant Korean parents who work in the same laundry in Queens where they have always worked and are trying hard to hang on to their culture. Casey has catapulted out of that life on scholarships but now that college is over, she hasn't the same opportunities as her white friends, even though she has acquired all of their expensive habits.

The concept of free food for millionaires is the perfect irony that describes much of what Casey faces. Walter, one of her bosses, says, when a huge buffet lunch is delivered to the floor: "It's free food for millionaires... In the International Equities Department--that is, Asia, Europe, and Japan Sales--the group you're interviewing for--whichever desk that sells a deal buys lunch for everyone in the department."

Casey is ambivalent about everything--her love life, work, friendships, her family! , dating a Korean man--but she seems to believe that money would sort everything out and smooth any rough spots. She works part-time for a fashion maven who would like to "adopt" her by paying for business school, but Casey can't quite accept all that she offers. She pulls back from help, digs herself deeper in debt, works like a slave during an internship and then, when she is offered the job, finally begins to realize what she might really want--and it isn't only money.

There are several loose ends left dangling, some bad behavior toward others on Casey's part and an unlikely and too coincidental passing acquaintance with an old bookseller whose wife was crazy about hats, as is Casey. When he dies, he leaves all her hats to Casey--which just might just be the start of something. The author runs out of steam after 512 pages and ends the book without really finishing it, but it is a thoughtful treatment of many of the questions Lee raises, and an emninently worthw! hile debut. --Valerie RyanStudio: Virgil Films And Ente! rtai Re lease Date: 02/23/2010 Run time: 122 minutes

In A Troubled Peace, Professor Chae-Jin Lee reviews the vicissitudes of U.S. policy toward South and North Korea since 1948 when rival regimes were installed on the Korean peninsula. He explains the continuously changing nature of U.S.-Korea relations by discussing the goals the United States has sought for Korea, the ways in which these goals have been articulated, and the methods used to implement them.

Using a careful analysis of declassified diplomatic documents, primary materials in English, Korean, Japanese, and Chinese, and extensive interviews with American and Korean officials, Lee draws attention to a number of factors that have affected U.S. policy: the functions of U.S. security policy in Korea, the role of the United States in South Korea's political democratization, President Clinton's policy of constructive engagement toward North Korea, President Bush's hegemonic policy toward North Korea, and the! hexagonal linkages among the United States, China, Japan, Russia, and the two Koreas.

Drawing on concepts of containment, deterrence, engagement, preemption, and appeasement, Lee's balanced and thoughtful approach reveals the frustrations of all players in their attempts to arrive at a modicum of coexistence. His objective, comprehensive, and definitive study reveals a dynamicâ€"and incredibly complexâ€"series of relationships underpinning a troubled and tenuous peace.

(2006)
Service Economies presents an alternative narrative of South Korean modernity by examining how working-class labor occupies a central space in linking the United States and Asia to South Korea's changing global position from a U.S. neocolony to a subempire.

Making surprising and revelatory connections, Jin-kyung Lee analyzes South Korean military labor in the Vietnam War, domestic female sex workers, South Korean prostitution for U.S. troops, and immigrant/migrant l! abor from Asia in contemporary South Korea. Foregrounding gend! er, sexu ality, and race, Lee reimagines the South Korean economic "miracle" as a global and regional articulation of industrial, military, and sexual proletarianization.

Lee not only addresses these under-studied labors individually but also integrates and unites them to reveal an alternative narrative of a changing South Korean working class whose heterogeneity is manifested in its objectification. Delving into literary and popular cultural sources as well as sociological work, Lee locates South Korean development in its military and economic interactions with the United States and other Asian nation-states, offering a unique perspective on how these practices have shaped and impacted U.S.-South Korea relations.

One of the most successful and popular artists to work in comics, Jim Lee is revered by fans worldwide thanks to his hyper-dynamic artwork and innovative character and costume design.

Now, his work on Batman and Superman â€" not to mention his! legion of WildStorm heroes including WildC.A.T.s, Divine Right and Deathblow â€" is celebrated in this beautiful hardback, which includes an exclusive interview with Jim Lee, a tour of his studio and hundreds of full-colour illustrations and pencils spanning his entire career!

 

Plus an all-new cover by Lee and an exclusive, all-new eight-page comic strip, written by Paul Levitz (Legion of Super-Heroes) with art by Lee!

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Experienc! e the savory secrets of the "other" Asian cuisine

In Eating Korean, the gifted food writer and award-winning chef Cecilia Hae Jin-Lee invites us to join her in discovering the unique cuisine and culture of her native land. Pairing delectable, authentic recipes with personal recollections and details on Korean traditions, Eating Korean offers an accessible and tempting introduction to the fresh and flavorful world of Korean cooking.

"Cecilia's stories remind me of my childhood. You can picture everyday Korean life while reading this book. The recipes keep Korean traditions well, yet are easy to follow. This is the best Korean cookbook published in English."
--Sejung Kim, Media/PR Manager, Korean Cultural Center

"Eating Korean contains not just recipes, but charming sketches of Korean life that bring this delicious, healthful cuisine to life. The recipes are so clear and simple, I'll use them often."
--Barbara Hansen, and James Beard Award-winning! authorThis book focuses on educational language minority immi! grant is sues in the United States. It draws from quantitative and qualitative research methodologies to inform educational policy and practice. The contributions are grouped according to three broad themes: factors predicting language proficiency, the role of language and identity in the lives of immigrant language minority youth, and issues of educational policy related to this group.

K-20: Legend of the Mask Movie Poster (11 x 17 Inches - 28cm x 44cm) (2008) Hong Kong Style A -(Takeshi Kaneshiro)(Takako Matsu)(Tôru Nakamura)(Kanata Hongô)(Yuki Imai)

  • K-20: Legend of the Mask Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Hong Kong Style A
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The epic tale of munezo a samurai being displaced in a rapidly changing japan. After a failed political coup he is ordered to prove his innocence by finding & killing yaichiro a former friend samurai & brilliant swordsman. Munezo enlists the help of their old teacher who entrusts him with a secret technique. Studio: Genius Products Inc Release Date: 08/08/2006'In Natural', the Human Street Magazine. This is a fashion and photography mag! azine from Japan. Each issue features lots of layouts of beautiful Japanese models and idols, plus other photography features and much more! The text is in Japanese, of course. This issue (#14) features Takako Matsu, Risa Hirako, You Fujimoto, Matsuo Ishido, Elisa Fukazama, and many others!K-20: Legend of the Mask Poster (11 x 17 Inches - 28cm x 44cm) (2008) Hong Kong Style A reproduction poster print

CAST: Takeshi Kaneshiro, Takako Matsu, Tôru Nakamura, Kanata Hongô, Yuki Imai; DIRECTED BY: Shimako Sato;

Thursday, September 29, 2011

Addicted Movie Poster (11 x 17 Inches - 28cm x 44cm) (2002) Korean Style A -(Byung-hun Lee)(Mi-yeon Lee)(Eol Lee)(Seon-yeong Park)(Ji-eun Kim)(Seung-Shin Lee)

  • Addicted Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Korean Style A
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Myung-sin, who has become a pirate, lives with hatred in his heart and endures the hardships, seeks revenge on the two nations, North and South Korea, using nuclear waste that has the devastating power of plutonium. Se-jong, a South Korean naval officer departs with his team of team of elite forces to prevent Sin's master plan of Nuclear Typhoon. Born under the same skies of the same race, but of a completely different nation. Living a life so different, th! e two point their guns at each other's heart.Addicted Poster (11 x 17 Inches - 28cm x 44cm) (2002) Korean Style A reproduction poster print

CAST: Byung-hun Lee,Mi-yeon Lee,Eol Lee,Seon-yeong Park,Ji-eun Kim,Seung-Shin Lee; DIRECTED BY: Young-hoon Park;

Laserdisc Laser Disc of LOVE AFFAIR with Warren Beatty, Annette Bening, Garry Shandling, Chloe Webb, Pierce Brosnan, Kate Capshaw and Katherine Hepburn.

  • PG-13 Color 108 Minutes. Widescreen.
  • CX encoded.
  • Digitally Processed.
LOVE LETTER - DVD MovieIts ads portrayed it as a wacky farce, while critics largely ignored it, presuming it to be a vanity project from Kate Capshaw (better known as Mrs. Steven Spielberg). But The Love Letter is neither; on the contrary, it's a low-key but surprisingly rich and touching film about love, illusions, and regret. Helen (Capshaw), a bookseller in a small seashore town, discovers an unsigned love letter that's fallen into the cushions of a couch in her store. The letter doesn't say who it's for, but Helen assumes it's for her and starts wondering who sent it. One would expect this to lead to a whirling comedy of mistaken identities, but after some amusing daydream moments, the movie follows its story with subtlety and nuance. The characters behave according to their own needs and desire! s, rather than the demands of standard Hollywood goofiness. The performances--from a cast including Tom Selleck (In and Out), Tom Everett Scott (That Thing You Do), Ellen DeGeneres (EDtv), newcomer Julianne Nicholson, and others--are uniformly unforced and natural. Viewers weary of the hyped-up, absurd emotional climaxes of most so-called romantic comedies will find a respite here. The Love Letter is a genuinely charming film. --Bret FetzerIts ads portrayed it as a wacky farce, while critics largely ignored it, presuming it to be a vanity project from Kate Capshaw (better known as Mrs. Steven Spielberg). But The Love Letter is neither; on the contrary, it's a low-key but surprisingly rich and touching film about love, illusions, and regret. Helen (Capshaw), a bookseller in a small seashore town, discovers an unsigned love letter that's fallen into the cushions of a couch in her store. The letter doesn't say who it's for, but Helen! assumes it's for her and starts wondering who sent it. One wo! uld expe ct this to lead to a whirling comedy of mistaken identities, but after some amusing daydream moments, the movie follows its story with subtlety and nuance. The characters behave according to their own needs and desires, rather than the demands of standard Hollywood goofiness. The performances--from a cast including Tom Selleck (In and Out), Tom Everett Scott (That Thing You Do), Ellen DeGeneres (EDtv), newcomer Julianne Nicholson, and others--are uniformly unforced and natural. Viewers weary of the hyped-up, absurd emotional climaxes of most so-called romantic comedies will find a respite here. The Love Letter is a genuinely charming film. --Bret FetzerHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books con! tinues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Actors from Missouri.This item comes with a certificate of authenticity from LCG Signatures.A romantic Love story.

The Wedding Date

  • ISBN13: 9781417042715
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Debra Messing (TV's Will & Grace) shines in this hilarious romantic comedy about the surprising road to finding true love. Kat Ellis (Messing) is determined to attend her younger sister's wedding with a date. Rather than face the ridicule of her family and in order to show up her ex-fiance, she resorts to the Yellow Pages to find a last-minute escort, Nick (Dermot Mulroney, My Best Friend's Wedding). His dashing good looks and quick-witted charm may win over her family. But will they win over Kat? Filled with unexpected twists and endless laughs, The Wedding Date is the one date that you'll want to keep!If you're a fan of the frazzled comic rhythms Debra Messing plies on Will & Grace, or if! you're pre-sold on the concept of Dermot Mulroney as the world's most dashing heartthrob--an idea given ample evidence here--this escapist romance may provide just enough distraction. The Wedding Date's Pretty Woman-in-reverse plot finds Kat Kat Ellis (Messing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can face the best man, an ex-fiancé who broke her heart. Non-fans of the stars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is a relati! vely painless but forgettable first Date; you probably ! won't ne ed a second assignation.--Steve WieckingSTARTER WIFE:SEASON 1 - DVD MovieDrawing from her years in Hollywood, Gigi Lavangie Grazer, wife of producer Brian Grazer, penned The Starter Wife, which inspired the limited series that launched this USA Network dramedy. Author Molly Kagan (Will and Grace's Debra Messing) continues to forge a new life for herself after her divorce from Kenny (David Alan Basche, taking over from Ken Jacobson), a studio exec. In between petty battles with the high-powered wives who disdain her less affluent lifestyle and attempts to get back into the publishing game, the designer-clad mom pals around with Joan (Emmy winner Judy Davis), a recovering alcoholic, and Rodney (Chris Diamantopoulos), an interior designer. Her social circle expands when she befriends Liz (Danielle Nicolet), a pathologically possessive pitcher's spouse, and Zach (Hart Bochner), a writing instructor and possible love interest... if only Molly hadn't sworn off! men.

So, while Rodney and Joan have affairs with actors--one in the closet, the other in recovery--Molly turns to screenwriting and a possible no-strings fling of her own. Fantasy sequences parodying hits like The Godfather and Body Heat represent her deepest fears. If the show's sole season gets off to a shaky start, it finds its footing once the central trio becomes more fully rounded and relatable Though the rest of the year doesn't hit the same comedic heights as Will and Grace, Messing still comes on like a modern-day Rosalind Russell and The Starter Wife makes for light and frothy fun. In their commentary on two episodes, producers Josann McGibbon and Sara Parriot discuss the changes between the series and the miniseries, like the disappearance of Miranda Otto’s Cricket (just as Jacobson joined the cast of House, she joined the short-lived Cashmere Mafia). McGibbon, Parriot, Messing, and Bochner also comment on the 10 f! antasy sequences. --Kathleen C. FennessyPrimetime EmmyÂ! ® Award winner Debra Messing (Will and Grace) lights up the screen in The Starter Wife! Follow the uplifting adventures of Molly Kagen (Messing), a Hollywood wife who must reinvent herself after being left by her movie executive husband. Jon Avnet (Fried Green Tomatoes) directs a dazzling ensemble cast, including Judy Davis (Husbands and Wives), Miranda Otto (Lord of the Rings: The Two Towers), Joe Mantegna (Bugsy) and Anika Noni Rose (Dreamgirls). Based on the bestselling novel by Gigi Levangie Grazer, this must-own 2-disc set includes all 6 liberating TV-hours of funny, empowering entertainment. Say "I do" to The Starter Wife on DVD!If you're a fan of the frazzled comic rhythms Debra Messing plies on "Will & Grace", or if you're pre-sold on the concept of Dermot Mulroney as the world's most dashing heartthrob--an idea given ample evidence here--this escapist romance may provide just enough distraction. "The Wedding Date"'s "Pretty Woman"-in-reverse plot finds Kat Kat Ellis (Me! ssing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can face the best man, an ex-fianc?© who broke her heart. Non-fans of the stars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is a relatively painless but forgettable first "Date"; you probably won't need a second assignation."--Steve Wiecking"If you're a fan of the frazzled comic rhythms Debra Messing plies on Will & Grace, or if you're pre-sold on the concept of Dermot Mulroney as the world's m! ost dashing heartthrob--an idea given ample evidence here--thi! s escapi st romance may provide just enough distraction. The Wedding Date's Pretty Woman-in-reverse plot finds Kat Kat Ellis (Messing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can face the best man, an ex-fiancé who broke her heart. Non-fans of the stars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is a relatively painless but forgettable first Date; you probably won't need a second assignation.--Steve Wiecking

Wednesday, September 28, 2011

Manifesto By Isabella Rossellini For Women. Eau De Toilette Spray 1.7 Oz

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Launched by the design house of Isabella Rosellini in 2000, MANIFESTO ROSELLINI PERFUME is classified as a refreshing, flowery fragrance. This feminine scent possesses a blend of exotic spices, fruit and soft flowers, with low notes of chestnut, sandalwood and white musk. It is recommended for romantic wear.

Tuesday, September 27, 2011

Detective K Poster Movie Korean C 11 x 17 Inches - 28cm x 44cm Myeong-min Kim Dal-su Oh Ji-min Han Jae-yong Lee Hyeon Woo Ye Soo-Jeong Choi Moo-Seong

  • 11 x 17 Inches - 28cm x 44cm
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Description If one looks back upon history, Korean cinema has always repeatedly passed through fixed cycles of booms and crisis. Now, as we go through the aftermath of compacted modernization, just as was the case with Korean society, indications of fissure and decline are slowly appearing within the industry. But just has been the case over all of these years when it has broken through crisis, Korean cinema is in any event supplied with a driving force through the appearance of new talents, a! nd will be able to transform itself once again. This book is an attempt to shed new light on some new faces of Korean film as we look back on the period leading up to the mid-2000s by highlighting the attempts of some young directors who have not yet accumulated long filmographies, but have achieved considerable results.Detective K Reproduction Poster Print Korean Style C 11 x 17 Inches - 28cm x 44cm

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