Tuesday, November 29, 2011

Eclipse (The Twilight Saga)

  • ISBN13: 9780316087360
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The #1 New York Times bestseller is available with a striking movie tie-in cover.

Readers captivated by Twilight and New Moon will eagerly devour the paperback edition Eclipse, the third book in Stephenie Meyer's riveting vampire love saga. As Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob --- knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bel! la has one more decision to make: life or death. But which is which?

The Edukators Poster Movie B 11x17 Daniel Br?hl Julia Jentsch Stipe Erceg Burghart Klau?ner

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Edukators 11 x 17 Inches Style B Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Jan (Daniel Brühl, Ladies in Lavender) and Peter are the best friends behind the radical and mysterious group The Edukators, united by their passion to change the world, in "The funniest, most original movie I’ve seen all year." (David Edwards, The Daily Mirror). When the rich go on vacation, The Edukators break into their homes. They don’t steal, but simply rearrange everything, leaving the message "Your days of plenty are numbered." When Peter’s girlfriend Jule (Julia Jentsch, winner, Best Young Actress, 2005 Bavarian Film Awards) moves in, she joins t! hem in their subversive activities. But when a rich businessman catches them in the act, they rashly decide to kidnap him. Faced with the values of the generation in power, they will see what kind of revolutionaries they are, if their friendship can survive, and discover if they truly work in the interest of the greater good, or just in their own self-interest. Passions rage and loyalties shatter in director Hans Weingartner’s exciting film that’s "Fresh, biting, gripping, tender, and tense." (The Telegraph On SundayFollowing the fall of the Berlin Wall, German society experienced the end of a political and cultural antagonism, which had defined East and West since WWII. Reunification was marked by post-modern feelings of fragmentation, uncertainty and loss of authenticity. This led to glorifications of past cultures, evident in the phenomenon of Ostalgie, the recurrence of the Heimat tradition and the revival of Counter-cultural styles amongst contemporary you! th. With Hans Weingartner?s film 'The Edukators' and Antonio ! Gramsci? s concept of Hegemony in focus, this book seeks to reassess the validity of traditional cultural theory in post-Wall German society. The author critically examines the power- struggle between resistance and incorporation of (youth-) cultural movements and nostalgic material desires in contemporary Germany. The analysis illustrates the need for a more positive re- utilisation and remembrance of history in East and West in order to enhance cultural optimism for a united present and future. It should be of particular interest to those studying German culture, film or history, and anyone who feels that innovation springs from the creative individual.Featuring tracks from Franz Ferdinand, Depeche Mode, Leonard Cohen and Radio 4, along with German music such as Tocotronic and T. Raumschmiere, the soundtrack is an energetic reflection of The Edukators film, dealing with teenage rebellion and idealism in Germany. Directed and written by Hans Weingartner, the film feature! s Daniel Brühl (who starred in 2002's Good Bye, Lenin!), the Evening Standard said of The Edukators '[It is a] gripping confrontation between a trio of disaffected youngsters and the fat-cat businessman whom they kidnap' while The Independent declared it to be 'One of the Best Films at Cannes 2004'. EMI. 2005.Contemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist! cause, has a heart attack when she sees him being clubbed by ! police a t a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerThe Edukators reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print

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Harold & Kumar Go to White Castle (Extreme Unrated Edition)

  • HAROLD & KUMAR GO TO WHITE CASTLE UNRAT (DVD MOVIE)
In the year's funniest comedy, two guys on a quest to satisfy their cravings for burgers find themselves on a hilarious all-night adventure as they run into one screwy obstacle after another.

DVD Features:
Audio Commentary
DVD ROM Features
Deleted Scenes
Featurette
Interviews
Music Video
Other:Spansh Subtitles!

From the director of Dude, Where's My Car? comes another crazed tale of two friends on a perilous quest--in this case, to eat burgers at the fast food restaurant White Castle. The pair--repressed Harold (John Cho, Better Luck Tomorrow) and freewheeling Kumar (Kal Penn, Love Don't Cost a Thing)--get extremely high and set off on the road, only to be sidetracked by skateboarding hooligans, racist cops, an inbred tow truck driver, ! and Neil Patrick Harris--yes, Doogie Howser, M.D. The humor is all over the map, and it would be nice if there were one female character who wasn't a caricature, but Harold and Kumar Go to White Castle has a loose, gregarious charm, and the movie's canniness about the cliches of the buddy-movie genre give it a sneaky subversive feel--just the fact that neither of the heroes is white puts a different spin on just about every circumstance. Surprisingly clever, cheerfully stupid. --Bret Fetzer

Joe's Jeans Men's Brixton Slim Fit Straight Leg Jean, Camden, 28

  • medium to light blue
  • Vintage Wash
Slim Fit Straight Leg

The Disappearance of Alice Creed [Blu-ray]

  • DISAPPEARANCE OF ALICE CREED, THE BLU-R (BLU-RAY DISC)
On a suburban street, two masked men seize a young woman. They bind and gag her and take her to an abandoned, soundproofed apartment. She is Alice Creed (Gemma Arterton), daughter of a millionaire. Her kidnappers, the coldly efficient Vic (Eddie Marsan) and his younger accomplice Danny (Martin Compston), have worked out a meticulous plan. But Alice is not going to play the perfect victim â€" she’s not giving in without a fight. In a tense power-play of greed, duplicity and survival we discover that sometimes disappearances can be deceptive…The British thriller The Disappearance of Alice Creed is a taut exercise in psychological manipulation, driven by three forceful performances, most notably actress Gemma Arteton (Clash of the Titans) as the titular abductee. On the surface, Disappearance seems to be cut from ! familiar cloth: ex-cons Eddie Marsan (Sherlock Holmes) and Martin Compston plot out and then execute the kidnapping of Arteton, the daughter of a wealthy businessman, for a sizable ransom. But as the minutes tick by in their dreary holding cell of a flat, relationships develop in unexpected ways, as do shifts in allegiances and motivations. To reveal these seismic changes would be to unleash spoilers of epic proportions, but suffice it to say that few will have expected the film's frenzied conclusion. Directed by first-timer J Blakeson with an eye towards pacing and atmosphere, The Disappearance of Alice Creed should please fans of adult suspense pictures with its smart scripting (by Blakeson) and fearless turns by its cast, especially Arteton in a role that requires her to play, by turns, victim and perpetrator; the DVD includes commentary by Blakeson, who discusses his influences (among them, Alien, interestingly enough), as well as two extended scene! s with commentary and a collection of comic outtakes. A five-m! inute st oryboard comparison, which shows preproduction sketches of the opening alongside the finished product, and the stateside trailer round out the extras. --Paul Gaita

The Bad Lieutenant: Port of Call New Orleans - Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • This poster may have a border as the image contained may not be 11 x 17 inches.
  • This poster measures approx. 11 x 17 inches from corner to corner.
  • Rolled and shipped in a sturdy tube.
  • This poster is from The Bad Lieutenant: Port of Call New Orleans (2009)
In Werner Herzog's new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire! , compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as wel! l as Cage's weird yet compelling performance, reminiscent of s! ome of h is early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerIn Werner Herzog's new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katr! ina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use a! nd gambling spiral out of control, he doggedly pursues a drug ! dealer s uspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerDVD! Details * Actor(s): Nicolas Cage :search Nicolas Cage Eva Mendes :search Eva Mendes Russell M. Haeuser :search Russell M. Haeuser Val Kilmer :search Val Kilmer Fairuza Balk :search Fairuza Balk * Format: Color Standard screen * Soundtrack: English * Additional: Import * Rating: R * MSRP: $65.98 * Release Date: 1 5 2010 * Number of Discs: 1Director Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murd! ering a family. Anyone looking for a conventional thriller or ! police p rocedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerDirector Werner Herzog's career is a catalog of extremes, and Bad Lieutenant: Port of ! Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn't a nice guy, and afterward he's still capable of being honorable... or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog's unpredictable direction--the camera will suddenly linger on an alligator by the side of the road, for example--as well as Cage's weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire's Kiss. He seems disconnected from the rest ! of the movie (arguably like his drug-ridden character is disco! nnected from reality), yet perfectly in sync with Herzog's off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage's meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. --Bret FetzerIn Werner Herzog’s highly anticipated new film, Nicolas Cage plays a man as devoted to police work as he is to scoring drugs. A high-functioning addict who is a deeply intuitive, fearless detective, he ranges over the beautiful ruins of New Orleans with authority and abandon. Adding to his tumultuous life is the prostitute he loves (played by Eva Mendes). Together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and man! icly humorous. In this book devoted to the film, renowned photographer Lena Herzog’s documentation of the film captures the uniqueness of the director’s vision, the set, and the actors. The volume also includes the script, written by Billy Finkelstein, reworked by Herzog.MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

GoNaturally Organic Assorted Gluten Free Hard Candies, 30-Ounce Bag

  • No artificial flavor. No artificial Color
  • Made in USA. 100 Natural and Healthy
A smart, charming teenage girl, Hayley probably shouldn't be going to a local coffee shop to meet Jeff, a 30-something fashion photographer she met on the Internet. But before she knows it, she's mixing drinks at Jeff's place and stripping for an impromptu photo shoot. It's Jeff's lucky night. But Hayley isn't as innocent as she looks, and the night takes a turn when she begins to impose a hard-hitting investigation on Jeff in an attempt to reveal his possibly scandalous past.The supercharged possibilities of a single set and two amped-up actors are explored in Hard Candy, a twisted cocktail with a poison kicker. After a flirtatious encounter in an online chat room, two people agree to meet for coffee: a 32-year-old man (Patrick Wilson) and a 14-year-old girl (Ellen Page). They quickly advance to hi! s house, and just as quickly, the apparent pedophilic seduction morphs into something else entirely. After the tables turn, Hard Candy becomes a tale of revenge and torture that might have tempted a filmmaker like Park Chanwook. Here, first-time feature director David Slade opts for a slick look that stays close to the actors, and you can't really blame him--this movie is like a conceptual, more-than-slightly unbelievable off-Broadway play, a showcase for actors and "controversial" ideas. Those actors are strong: Patrick Wilson (Angels in America, Phantom of the Opera) is every bit as creepy as he needs to be, and Ellen Page has nothing short of a triumph. The Canadian actress was around 18 when she shot the film, but looks like an adolescent, which makes her authoritative wrath all the more shocking to witness. The provocations of Hard Candy sometimes seem arbitrary or forced, but Page's electrifying performance can't be denied, or dismissed. --Robert HortonGonaturally organic assorted gluten free ! hard can dies comes in pack of 6, each weighs 3.5 ounce bags (total of 21 ounces). It has no artificial color.it is made by hand in america. It is gluten free and contains all natural flavors. Hillside candy is our company’s corporate umbrella name for three brands of candy. The brands are golightly sugar free candy, in business since 1980 (though the business started many years earlier), hillside sweets, a line of sugar based hard candy, and gonaturally, a line of USDA certified organic candy. These 3 made in america lines are sold in drug store chains, mass merchandisers, grocery chains, supermarkets, gourmet stores, rebaggers, gift basket companies and other businesses. Each of hillside’s lines offers quality, consistency and delicious taste.

Get Him to the Greek (Single-Disc Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
A record company intern is hired to accompany out-of-control british rock star aldous snow to a concert at l.A.s greek theater. Studio: Uni Dist Corp. (mca) Release Date: 09/28/2010 Starring: Jonah Hill Sean Combs Run time: 109 minutes Rating: R Director: Nicholas Stoller

GrooVe IP

  • Call any phone in the U.S. or Canada using your mobile device but not your mobile minutes
  • Get a free public phone number from Google Voice, first
  • Make and receive calls using Wi-Fi and/or 3G if your without a mobile plan or reception
  • Pay incredibly low rates for calls around the world (with the exception of free U.S. and Canada calls)
  • Send incoming calls to voicemail
Parties are not always as fun as they look like they should be. The distinction lies in the realm between watching people have fun and actually having fun. Case in point: Groove. Set in San Francisco over the course of one night, this is the story of a rave, plain and simple. Preparation includes inhabiting an empty warehouse, finding the power supply, and sending out coded invitations. The movie kicks in as the party does, when people start arriving and the DJs start spinning. There's a nic! e moment early on when a cop shows up asking for the owner of the building, who is then taken on a tour of "a new Internet start-up." It becomes even funnier when the cop turns out to be smarter and more compassionate than anyone would expect. Writer-director Greg Harrison does a smart thing by focusing the story on David, a novice who's never been to a rave before, which breaks the story out of what could have been the suffocatingly insular world of rave culture. Unknowingly dosed by someone (his brother?), David is adopted by Layla, an attractive but lonely East Coast transplant who has begun to regret her party lifestyle. Other characters include a guy who's just proposed to his girlfriend, a college teaching assistant selling his own manufactured drugs, a nefarious lothario, a DJ who gets to meet his idol, and a gay couple having trouble finding the party. If the characters turn out to be just character types, that's OK because the movie itself floats by on its own high! -octane enthusiasm. Groove is light and frothy entertai! nment wi th a beat you can dance to. --Andy Spletzer

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