In 1959 South Korea was mired in poverty. By 1979 it had a powerful industrial economy and a vibrant civil society in the making, which would lead to a democratic breakthrough eight years later. The transformation took place during the years of Park Chung Hee’s presidency. Park seized power in a coup in 1961 and ruled as a virtual dictator until his assassination in October 1979. He is credited with modernizing South Korea, but at a huge political and social cost.
South Korea’s political landscape under Park defies easy categorization. The state was predatory yet technocratic, reform-minded yet quick to crack down on dissidents in the name of political order. The nation was balanced uneasily between opposition forces calling for democratic reforms and the Park government’s obsession with economic growth. The chaebol (a powerful conglomerate of multinationals base! d in South Korea) received massive government support to pioneer new growth industries, even as a nationwide campaign of economic shock therapyâ€"interest hikes, devaluation, and wage cutsâ€"met strong public resistance and caused considerable hardship.
This landmark volume examines South Korea’s era of development as a study in the complex politics of modernization. Drawing on an extraordinary range of sources in both English and Korean, these essays recover and contextualize many of the ambiguities in South Korea’s trajectory from poverty to a sustainable high rate of economic growth.
Includes: Reflections on Korean Cinema: An Introduction, Immortal 'Realism' in the Modern History of Korean Film Criticism, European Responses to Korean Movies: The Case of France, Korean Aesthetics in the Historical Movies of the 1960's as Seen in the Films of Shin Sang Ok, Reunifying Identities: A Reflection on Comtemporary Cinema in South Korea, On Korean Cinema: An Interview! with Pierre Rissient
Each of the heroes represents a different high school type: popular babe (Jordana Brewster), picked-on geek (Elijah Wood), goth girl (Clea DuVall), sensitive jock (Shawn Hatosy), new kid in town (Laura Harris), and bad-boy rebel (Josh Hartnett). The plot isn't much--a basic kill-or-be-killed premise spiked with a healthy shot of paranoia--but Willliamson and Rodriguez do a great job of building the tension slowly but surely. The suspense set pieces are genuinely frightening, and the film pokes fun at itself without deflating its scares; Williamson is a master at shifting gears from comedy to horror quickly and adroitly. The young cast doesn't have a weak link among them (with special kudos to Wood, DuVall and heartthrob-in-the-making Hartnett), and Rodriguez gets maximum mileage from the titular faculty, which includes Jon Stewart, Piper Laurie, Salma Hayek, Bebe Neuwirth, and Robert Patr! ick of Terminator 2. Go to the head of the class, Mr.Â! William son. --Mark EnglehartFilled with intense action, ANNAPOLIS is an inspirational tale of courage and honor that will keep you riveted. As hard as it is to get into the most elite military academy in the country, surviving behind its walls is beyond belief. Young Jake Huard (James Franco) has always known he has what it takes to make the grade. But once inside, everything Jake thought he knew is challenged in ways he never could have imagined. Standing between him and his lifelong ambition of becoming an officer in the U.S. Navy is his company commander -- Midshipman Lt. Cole (Tyrese Gibson), a relentless and merciless battle-seasoned Marine. Thrilling and exhilarating, ANNAPOLIS reaffirms the power of believing in your dreams.A boxing movie done up in Naval Academy drag, Annapolis stars James Franco (Spider-Man, Tristan & Isolde) as Jake Huard, a shipbuilder's son who wants to prove to his father--and to himself--that he can cut it as a Naval officer. But ! at the Academy he runs afoul of a hard-nosed training officer named Cole (Tyrese Gibson, Four Brothers), who does all he can to drive Huard out of the school. They end up settling their differences in the boxing ring during the Academy's annual competition. Annapolis is a bundle of cliches, from Huard's interracial mix of roommates to the lessons he learns about teamwork, but it's an efficient and vigorous bundle of cliches. Director Justin Lin (Better Luck Tomorrow) keeps the pace swift and the visuals snappy, particularly in the boxing scenes. Franco and Gibson work hard to outdo each other's burning gazes; both are handsome men of modest acting talent, but they suit their roles reasonably well. Also featuring Jordana Brewster (The Fast and the Furious), Donnie Wahlberg (Saw II), and the always charming Chi McBride (Roll Bounce). --Bret Fetzer
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